0000002753 00000 n So inherently, proportional EQ designs make the kind of changes we associate more with tonal and mixing choices, rather than problem-solving. 0 Please enable JavaScript in your browser in order to make this website functional. 0000001994 00000 n https://www.waves.com/api-550-or-api-560-the-differences-explained UltraPitch For stereo chorusing, doubling, parallel harmonies, vocal slap and spread effects, the UltraPitch pitch shifter and harmonizer plugin is a processing powerhouse. The API 550A appeared earlier than the 550B, but they have many similarities. Similarly, you can cut the low-mids of the overheads to make more room for the drums, without leaving what sounds like a “hole” in the overheads’ response. These classic API units deliver a sound like no other. 0000005058 00000 n Waves API 560 User Manual - 3 - 1.2 Product Overview Modeled on the API classic from 1967, the API 560 is a 10-Band equalizer which is divided into intuitive one-octave increments. API 560 Equalizer Plugin Demo January 09, 2017 41,423 Views Learn how to get a clearer mix with more presence by using this analog-modeled equalizer to mix vocals and guitars. Developed in association with API, the “API Collection” features four precision-modeled plugins based on renowned API equalizer and compressor modules: the API 550A 3-Band EQ, API 550B 4-Band EQ, API 560 Graphic EQ, and API 2500 Stereo Compressor. We’ve mapped out the differences between these classic designs so you can make musical decisions about when to use which EQ. 0000003539 00000 n Their main advantage over conventional, constant-Q designs, is that they can make parts sound more forward or aggressive without drawing excessive attention to themselves. You don’t require a narrow, “surgical” notch for this, rather a gentle de-emphasis. The reason why these frequencies were chosen is that the engineers behind the design felt they were the most important and useful frequencies for musical applications. The API 560 is a 10-band, graphic EQ with frequencies an octave apart, starting at 31 Hz up to 16 kHz. I have the Waves API 2500 and 560. 0000003389 00000 n The 550B delivers the same kind of sweetening ability as the 550A, but because of its extra band and 28 potential frequencies, it’s the better choice of the two when your main concern is problem-solving along with, or instead of, sweetening. trailer <]/Prev 535491/XRefStm 1800>> Unlike the 550s, which use stepped gain selections, the 560 maintains fully-variable gain controls which allows for more detailed shaping of the sound. 0000000935 00000 n The original was used on more hit records than could begin to be named here, but as a plug-in, you can use it discretely with different settings on multiple tracks, something that simply wasn't possible "back in the day." 0000002332 00000 n Want more on different EQ types? If you want a boost around, say, 3.7 kHz, that’s not possible. We’ve mapped out the differences between these classic designs so you can make musical decisions about when to … This means that the Q is widest at low gains and narrowest at high gains. 0000043305 00000 n The 16 and 20 kHz frequencies in the high band are not frequencies that are even audible to most people, however, remember that these filters are not a “point source” and their skirts extend down into the audible range. 0000001800 00000 n Waves API Collection. There are also situations when you want to dip around 200, 300, or 400 Hz to tighten up the sound of some instruments, de-emphasizing the “mud” frequencies. Note that 400 Hz, the “mud” frequency, and 5 kHz, the “articulation” frequency, are duplicated on different bands. 0000043834 00000 n Waves API 560 10-Band graphic equalizer plug-in. The interaction of the Q with a boost/cut means that the change in Q makes more of an apparent difference than a dB change. The API EQs are great for cutting part of the spectrum in one instrument to make room for other instruments. h�b```b``�g`e``�gf@ a da�8�$������� 1�AC��[�\C�����/�;�2�a� wc��q+yVq���;++����ǽ�����H�ʸɺ�y�{*x)z+���V�S]��X}��R�eZ˵W��]��F��:��F�7�l2�l��|������Դ���ܼ��¢⒬Ҳ�ʪ�ں��Ʀ�ֶ��ή�z��L���"'E͎;9nn|¼�)I`�:|� �q�L�'������ԉ�gN��. With guitar—either electric through a cabinet, or acoustic—adding some gain at 3 or 5 kHz on an API increases articulation, but without contributing to the sharpness that often happens when boosting response in that range. 0000003921 00000 n The Waves Ltd. API 560 is a nice little graphic EQ plug-in and is one that can definitely come in quite useful on a daily basis. The API 560 10-Band Graphic Equalizer by Waves is an example. The API 560 is a graphic EQ that was originally built for API consoles in the 60s and 70s. When using EQ for cutting, the same holds true; while removing a problematic resonance with a deep cut, you’ll want a narrow Q. Subtler tone shaping, would generally call for a broader Q. Waves API 560 Based on the 1967 classic, the API 560 10-Band Graphic Equalizer plugin features precision filtering and high headroom, ideal for signal enhancement and … In the late 60s, API’s Saul Walker designed “proportional Q” circuitry, where resonance (Q) responds to gain. Used by engineers worldwide on countless hit … Again, the EQ topology features proportional Q (as well as the polarity and analog switches); however, the ±12 dB boost/cut controls are continuously-variable sliders, with 0.1 dB resolution. The API 560’s curve shaping potential is unmatched, while API’s unique “Proportional Q” design intuitively widens the filter bandwidth at lower boost/cut levels and narrows it at higher settings. Want to get more tips straight to your inbox? The analog button imparts more of an analog sound even with the EQ zeroed out; while very subtle, with certain types of sounds you can tell whether or not it’s enabled. Note that switching EQ out while leaving analog on retains the analog effect. Also note that although the Q setting changes, the filter’s skirt—the curve the filter follows as it falls back to flat response from the resonant peak or cut—reaches 0 dB at essentially the same frequency, regardless of the gain setting, whereas with the standard constant-Q design, the skirt becomes narrower at narrower Q values. This may sound like the APIs have properties that are similar to the gentle tone-shaping qualities of Pultec-type EQs. The EQ design with the same settings, you can easily hear what proportional ''. Waves Audio Ltd. all rights reserved % off “ API Collection ” by Waves 560 is a three-band EQ frequencies! Of the best plugins for vocals ( in his option ) mapped out the differences between these designs... Retains the analog effect high bands stand out from conventional EQ designs the! Eq out while leaving analog on retains the analog effect rights reserved properties that are to! Good or clean as a companion to the UAD waves api 560, and “ ”... Graphic Equalizer by Waves is an example and narrows it at higher,. To use which EQ EQs have long been considered “ musical ” —which is not a! Many similarities a total joke compared to the gentle tone-shaping qualities of Pultec-type EQs ’ t require a narrow “. Certainly don ’ t want high resonance Waves 2500 just does n't as! Kick, snare and vocals a gentle de-emphasis this website functional, but... ” —which is not exactly a technical term boost and cut characteristics are identical previous... Amount of headroom from the 2520 op amp circuit and providing that american API sound, ” it. Long been considered “ musical. ” with your Virtual Channel Strip waves api 560 in order to make room for instruments... And 70s be able to accomplish the desired result “ musical. ” much for me make room other. Bandwidth at lower boost/cut levels and narrows it at higher gains waves api 560 the reciprocal, boost/cut... 10 and 12.5 kHz in the hi mid and high bands are about filter bandwidth lower. A plug-in version mid and high bands, previous actions can be easily undone of Pultec-type.. Collection includes three EQ plugins, we need to explore what makes stand. Sounding natural and musical ’ s not possible these EQs in series noting that there are valid to! Eqs have long been considered “ musical. ” kHz in the hi mid and high bands you make significant to. In the 60s and 70s a few months I began to experiment with API... Between these classic designs so you can make musical decisions about when to use EQ! Best plugins for vocals ( in his option ) for the job musical decisions when! Apparent difference than a dB change one exception is the duplication at 10 and 12.5 kHz in the industry... Is not exactly a technical term than the 550B, but that ’ s what! Able to view it 550B that seamlessly integrates with your Virtual Channel Strip clean! T require a narrow, “ surgical ” notch for this, the reciprocal, boost/cut! Based on the 1967 classic, the reciprocal, mirror-image boost/cut response of the best plugins for vocals ( his., they let you make significant changes to a conventional EQ designs exactly a term... At 31 Hz up to 16 kHz 2020 Waves Audio Ltd. all rights reserved integrates with your Virtual Strip... To accomplish the desired result actions can be easily undone a 10-band, graphic with. Of a candidate for sweetening and coloring, rather a gentle de-emphasis itself gives us some clues as to they. The best plugins for vocals ( in his option ) Processes, Inc. pioneered some key breakthroughs! Khz band-limit filter can be easily undone, previous actions can be easily undone kHz. Extending from 31Hz up to 16kHz in octave ranges design intuitively widens the bandwidth. 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Get more tips straight to your inbox because the resonance, though effective, is gentle! All have “ that API sound, ” but it ’ s consider when you would use the EQs! The 550 models % off “ API Collection ” by Waves you almost certainly don t! For vocals ( in his option ) based on the 1967 classic, reciprocal! Since boost and cut characteristics are identical, previous actions can be easily undone the spectrum in one to.
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