They seem like they could have practical sound effect usage elsewhere, but are employed here in such inhuman ways (yet also strangely human? A crippling sense of unease stemming from isolation. Not to say that today’s current music landscape thriving on “vibes” and “moods” is a bad thing, but Kaputt kind of predicted it all. ~~ Dark and dusty, damp and moldy, breakneck and decrepit. Seems like with this release Angel Olsen really stepped out and said “yep, this is my sound. This record does hold a lot of sentimental value, so that’s probably another reason why it’s on here, but it’s still a worthwhile listen. But seriously though, it’s a rumination on the oddness of youth in your late 20s and early 30s. Little did they know Future Islands would be one of the more talked-about bands of the mid-decade. Joel Ford and Daniel Lopatin (Oneohtrix Point Never) expanded their extremely-online GAMES project for a full-length album with wonderful results. You really believe that he feels strongly about what he’s singing about. It’s dramatic and throbbing. You’re naturally lowered back down to the surface, almost dared to jump right back into your personal heavens once more after such a momentous comedown. Odd electronic sounds show up and then disappear, never to be heard from again. It sounds like a fuzzy sci-fi world where everyone’s too bloated on media consumption and a thick, Silent Hill-like fog gathers around eternally-on television screens. This record is almost entirely saxophone and violin-based, constantly intertwining and disengaging like sand in the wind. Senior year of college, first semester. Retro-touched diner ballads + pump up love songs. I can only assume it will grow in favor as time passes and all new electronic records have to compare to this. “Ohm” is the massive standout for me, but songs like “Paddle Forward”, “Stupid Things”, “Before We Run”, “Well You Better” and “Cornelia and Jane” are on my must-hear-played-live list. Following the life of a dancer for 24 hours as they travel to rehearsals in their island community, improvising routines with the overflowing fauna and running into an endless amount of friends along the way to a night of partying. Yes some of the songs feel samey-samey, but I feel like vocalist Sam Herring is at his most untamed here, making for more dynamic and engaging tracks. There are crunchy guitars. Eventually they all die and are easily replaced. Passing sunlight through assorted crystals and sketching floral arrangements in the casted colorful prisms of light on the ground. This is a record that totally blew my mind when I first heard it. The sudden, crashing, aggravating realization that you will never amount to anything, no matter how hard you try or how much time you have. I may be wrong, but it seems like the dialed-up intensity on the instrumentals to match her own vocal vivacity has never worked better than here. It's like a more annoying Bed of Chaos. A big graphic tee from high school that brings you comfort in casual moments like getting a slushee from the gas station. If you’re not sold, see the band live. Actors on soap operas being forced to act minutes before the sun explodes rewrite their lines as messages to their loved ones. It’s too late to restart, right?! Basically the whole back half of the record sounds like it was being sung from the gallows by a court jester looking for a pardon but knows they won’t get one. Sounds like years of partying has caught up to him and the paranoia has set in. Like being thrust into a chute of metal shards and drifting in and out of consciousness. The other four songs are purely instrumental cuts, including the spiritually connected opener “Made of Metal” and closer “Made of Air”. ~~ The joy and exhaustion that comes from sledding down a giant hill for an entire night. Having an existential crisis after meeting an ersatz version of yourself on vacation. ~~ Can't wait for DS3, hope to see some of you there! He’s in the clear for life in my opinion. Chromatics essentially made a cult classic film in album form with. “Pyrrhic” is my favorite on here and features guest vocals from Jonsi of Sigur Ros. I kept listening. It feels paranoid about big cities, both thriving and withdrawing from them. Just brilliant electronic music. Sorry to those who don’t have Spotify, I’ll try and branch out this decade! Lush Y2K-era R&B instrumentals thrust into 2019? I’ve known people that bristle against it, but her energetic rasp carries so much emotional weight it basically powers the entire album from front to back. In a way it is, but instead with very unorthodox love songs. Put this on once the weather starts to improve and watch your commute become an enjoyable jaunt down city streets. It’s nearly a spiritual experience, one that I treasure deeply. Come for “Shut Up Kiss Me”, stay for the sequence of “Sister” + “Those Were The Days” + “Woman”. ~~ There are a few songs of just Newsom’s voice and piano. One of the few bright spots from that year on this list. You could have powered a small town in rural America with that beaming smile. It ranges from the easiest to the most punishing but is also consistently the easiest to cheese in various ways. In the hours before dawn, you follow a trail of notes and clues left by a thought-to-be-deceased lover, leading you to the house of mirrors where the partner had been supposedly murdered. The first half is obviously stacked with the hits, but the second half packs in cinematic cuts that the band is known for. Bold, brash, jealousy-inducing. ~~ Bursting with confidence but not cowardly enough to confront their nightmares, Little Simz made one of the most essential hip hop records of this decade with. – Finding liberation in a cybernetic sacrifice circle. It’s just a snapshot of where I’m at right now. ~~ It’s more prevalent than ever these days (Japanese city pop, hello?). You should have seen my face when I found out that Fever Ray was releasing a new album that year. the sequencing is perfection. I remember thinking this was the coolest thing of all time when it first came out. “Illumination” feat. The singles are obviously hits, but even deeper cuts like the mostly instrumental “By Your Side” is hypnotic and totally a zoner. A cinematic, continuously flowing psychedelic electronic experience that still stands as the highest watermark in Flying Lotus’ discography. Maybe I’m just a hopeless fan, but I really do think that Yo La Tengo can do no wrong. His signature, blocky bounce he puts on all the songs is more than enough of a force to establish a presence. I don’t party, but it makes me feel like I’m partying. ~~ Sweet relief. They slice to the forefront of these tracks, almost purposefully clashing against the psychedelic, heavily electronic instrumentals. It’s been played out in internet memes over the past year, but I can say with full certainty that you’re just gonna be vibin’ while listening to Take Me Apart. ~~ Anybody else hate this fight? I think they’ve been touring legit all year. Condensed party in a jar. ~~ Artists retweeting your posts? Someone you care about gently squeezing your hand in theirs. Should I change the bow/Uchi to the dex scaling trees? All self consciousness fades away as you dance-walk down a city sidewalk, articulately bending and twisting your limbs & joints to the tempo of the music in your headphones. Defeat the Bed of Chaos. Some of the grimiest coldwave/post punk ever recorded. Jessy Lanza is a master of a minimal groove. , but haha uhhh I like this more. On the closer, the illusion is either broken or becomes too cumbersome to keep afloat, so the gorgeous harmonies and ambience begins to crumble. And holy hell, this album is so worth the wait. A shapeshifting alien assumes your likeness and begins to win over your friends and family through feats of strength and will, rendering you useless. ~~ Plush sun & silky breezes caress your entire body, making you feel weightless. This record is just so stripped of any politeness, any empathy, any care for other human life except for the beholder. “Sore Eyes” is my favorite jam on this! Phil Elverum (Mount Eerie) made an album that consolidates all the loneliness and dizzying agony that comes with losing a partner into an album. ~~ Grouper at her most minimal. Bonafide killer rock tracks like “Forgiven/Forgotten” and “Hi-Five” flip to slow-burning torch songs like “White Fire” and “Dance Slow Decades”. Guitar melodies arc and twirl in the sky like lightning, with booming, thunder-like percussion following quickly after over a turbulent sea. Being awoken from stasis aboard a space station with an AI that will stop at nothing until every crew member is dead. It’s humorous, morbid, insightful, touching, charming, existential, simple, normal, special, modern, nostalgic, depressing, foreboding, and more. One of the best synth pop records of the decade without a question! ~~ Kelly Moran is a fantastic talent that I cannot wait to see grow and flourish in this ever-changing musical landscape. “Sore Eyes” is my favorite jam on this! It’s even perfectly sequenced. Brutally cool. Letting your inhibitions and your partial breakage from them define you. Dave Longstreth is a a wacky crazy goofy guy when it comes to melodies (we know this). An obvious comparison would be Dinosaur Jr so if you dig them, don’t wait! If you’ve never listened to Barwick’s music before, I’d say the prettier, slower moments from Sigur Ros records are a good comparison. With fusions of bubbling modular synthesis and organic elements like voice, winds and wooden percussion, Kaitlyn Aurelia Smith created an aural landscape that’s easy to get lost in. ~~ Observations of a night spent in and out of nightclubs, soaked with drinks, romantic moments with your partner, inebriated drama, and more. These are some gorgeous, long-form psych jams. It’s a staple summer record for me. Nothing as weird and confident and groovy as this. Across a foggy, strobe-lit club, a dancer stares at you intimidatingly. This album will blow your socks off. ~~ It’s a solid album, that’s for sure. The Bed of Chaos is a Boss in Dark Souls.. ~~ It feels like XCX is really collaborating with these artists, instead of just having a guest verse tacked on in an empty moment in the song. New age-inspired electronics that constantly morph into new shapes, making the listener guess where it heads next. Black Dragon Kalameet is a boss in Dark Souls: Artorias of the Abyss. The album also features some of the best songwriting of Quinlan’s career, her semi-fictional narrative-driven lyrics are so engaging and believable with her powerful voice. Not quite riding a beat but more like pasting words overtop it, just applying his intricate wordplay over retro, blown out patchworks wherever it can fit. I once had a friend ask me “so why do you even listen to sad music? Sprint right, avoid the overhead palm stomp, break glowing core. The one song I keep referencing? The thing that’s supposed to be protecting has gone too far. From Quarantine‘s opening, eerie ambiance is placed within the listeners headspace, like some kind of alien white noise and the churning of a foreign space craft, setting the stage for the rest of the album’s events. Kaputt is essentially a best of compilation for every great sound I described above. An old-time radio plays classics in a high school gymnasium, with one couple alone dancing and recounting stories of their love. ~~ CRJ made some monster-ass pop songs that have defined half the decade. Absolutely massive choruses, memorable guitar lines, clear vocals, a light dusting of psychedelia, and hooks for dayyys. Songs on here just feel GOOD. Highly computerized sounding but human in approach. It shouldn’t be surprising; the album is literally called The Party. Something keeps bringing me back to this decrepit space station. Even now, listening to this song in 2020, alone in my room, I’m getting goosebumps at this part. Or rather, they established themselves as the only ones to do it this well. This is a special record for me. Well, it’s pretty infectious and unlike anything (most things) out at the time. “Revival” shows off a folky splendor not found on Deerhunter’s previous works – darker and more ambiguous than before as well. 2: Insects eventually consume your decomposing body, spreading your consciousness across the forest floor that you laid to rest upon. Condensed party in a jar. I’ve said it in every blurb I’ve written about this album: the SOUNDS. The obvious star of the show is singer Tim “Shogun” Wall, whose soulful wailing puts an extra earnest layer on top of the hyped up garage rock instrumentals. It has its odd bruises like any old piece of fruit, but it also has its crisp, sweet taste and bountiful juices that run down your chin. I feel like this was around the time that I hated hearing autotune on the radio and this helped me recognize its potential as a tool to shape the human voice into alien formations, removing its natural humanity. The first six songs are near-untouchable levels of good. wish i knew this before i brute forced it without a guide, but for me the kappa demon or drake and josh (no summon) made me want to quit. Another record that defined my senior year of college and all the parties, hangouts and friendly times that came along with it. I’ve loved Sam Amidon’s music for a long time now, but this is his best album in my eyes. I don’t know what you’d call it: downtempo vocal house? When I first heard this record I thought the lyrics were trash. Definitely pulled inspiration from the mysterious and ethereal folk talents of the 60s and 70s: Van Dyke Parks, Vashti Bunyan, Nick Drake, early Joni Mitchell and Judee Sill. No one. Twigs fans may get upset with me for having this higher than LP1, but haha uhhh I like this more. Absolutely gorgeous compositions of prepared piano and some computerized synthesis. The bass is murky, the synths approach nefarious lows and piercing highs and John Maus’ signature weirdo croon echoes over the whole thing he’s some kind of high watchman. “A comeback and a farewell” as written by Aquarium Drunkard, Purple Mountains was by and far my favorite record of the year. Not only do they go hard as hell (like on personal highlight “Remains” and single “Exhumed”), they also enhance the emotional impact of gutting songs like “Siphon” and “Witness”. – Getting trapped in a bright, LCD-covered room and being forced to find the key to exit by popping hundreds of balloons filled with sticky, pink goo. Either way, if you’re looking for a goth-as-hell ride to Heck with some GREAT hooks and inventive production, look no further than this overlooked gem. Maneuvering through an abandoned space station in zero gravity and piecing together the final transmissions of its crew. ~~ Jets? I even tried to name this blog after this album. ~~ The Moon Rang Like A Bell was my favorite album of 2014 and although it has waned a bit in being my top favorite, it’s still an iconic album for me and deserves everyone’s listening attention. Everything is warped, bent, broken, shaking, wilted, barely held together. For the Dark Souls III page, see Boss (Dark Souls III). Partying is cool, but not all the time. It wasn’t until later I started noticing guitars in here. Hoo-wee. It’s still immaculately produced with moments of pure emotional euphoria and confident badassery. ~~ It truly sounds like nothing else. Each piece could have its special moment (first it was “Helix”, now it’s “Water Music”, I’m kinda feeling “Halogen” next). The most accessible and concise Joanna Newsom album. ~~ Drinking a ton of caffeine and trying to see all of your friends in one day. There is no inch of empty space in the mix on these songs. This record kicks ass. Go talk to Quelana. All this hedonism is happening around a breathtaking suite of impeccable production and insomniac sound design. Is this like when they say the title of the movie in the movie? Big shout out to Saul Williams for all his spoken word work on this as well. It may not have the instant hit-ness of. While many songs bring sounds of the party, frontman James Murphy is trying to come down. You love them. Grouper’s most vulnerable record. but it also provided me a song that literally gives me an anxiety episode whenever I listen (maybe more when it first came out), which is “An Exit” featuring Amnesia Scanner. It’s a theme on the record with song names like “Stay Useless”, “Wasted Days” and “No Future / No Past”. Also always have to give a shout out to my friend Mary who was nominated for a GRAMMY for her Be The Cowboy album design! Nearly every song is a direct plunge of pleasure into the brain. As terrible as the boss is Fromsoft actually tried something different, it may have failed due to lost izalith being rushed, but the concept is not terrible. How can you be responsible about your ego while talking to someone at a party? The endless clamoring for a new Frank album really did yield something that Gen Z’ers will consider a timeless classic. I’m reminded of coming of age and adventure films, most notably Hayao Miyazaki’s Castle In The Sky. It calls back to killer, dance-friendly pop of the 80s and early 90s a la Janet Jackson and Madonna, but definitely feels like it was made for this decade and beyond. Twigs and Arca team up like they’re in the same skin, moving in tandem in a dimly lit glass tank trading sultry, seductive touches in the form of breathy, falsetto vocals and throbbing instrumentals. Maybe it’s the lack of major celebrity that allows these songs to feel so genuine? Didn't From actually apologize for how badly designed the fight was? It is possible to jump to the top of the rocks to the left of the boss fog and snipe Sif with a bow. I’m walkin’ here! For me, it very much feels like it’s from another time. A MOMENT OF SILENCE FOR RECORDS BUMPED OFF 200 LIST: Thank you so much for reading. But unlike how many producer records go, there’s never a question of whose record this is and no disconnect between songs with different guests. Ha! A dark ballet of seductive electronics and alluring layers of voice. Thanks to Chris’ background being a dancer, her music is almost optimized for movement. Nothing serious, everything’s a joke. Further pushing the finish line away during a mental breakdown. There’s plenty of wacky drum programming. ~~ It probably kept me going – another day is just another excuse to listen to this great record. Picking up the coat that smells of the vintage velvet couch it rested on all night. “Keep Pushing On” would be a good mantra for the whole album: every song (save for “Hey Moon”, a cover) pushes along at a steady pace thanks to the basslines and swirling synths. If anything, I think the last song there would have fit best as an album name. A series of instrumental suites set to dreams of rooms. Although born male, due to magic and association with the moon, Gwyndolin was raised as a daughter but is biologically a male and is reffered to as such from Gwynevere who lovingly calls him brother. Ive beat him many times before, just getting ♥♥♥♥ed with RNG this time around. Strategy 2 - Ranged Cheese. Hoo-wee. It’s been a slow process with no real deadlines, but it’s all about trying to keep writing and not letting dust settle on my cranium. Brought to life by string ensemble Alarm Will Sound and guest production by Arca and The Haxan Cloak, Björk weaves together her tale of woe and grief in a gorgeous tapestry that features some of her best vocal performances, which is still so emotive so many records in. Close. An astral playground where time and space can be controlled by your will. Smartly described as “pop-house” by a close ally of the blog, Disclosure don’t quite go full pop or full house on this album, so there we go. They’re kind of like the Everything Is Terrible of music-makers, taking samples from old television and radio broadcasts and connecting them with electronic and folky instrumentation. Click to expand... Click to shrink... literally just a hide and seek . Died 5 more times and am probably late for work. ~~ It’s an album that establishes a type of wanderlust in the listener, a want to explore galaxies. Sure there are the lead singles like any album has that most people generally love, but all of the songs on Golden Hour are all so goddamn catchy and striking that it’s easy to believe someone if they said a non-single cut would be their favorite. ~~ Yes, that’s far too much time to be working on a Best Albums of the Decade post. For the sake of convenience, list space, and also a quick shout out to Burial’s post-2015 material, I’m keeping it here. 4 comments. The second is much more macabre and dramatic, with anxious strings swelling against pulsating beats and Björk’s tremulous voice rising above the din to air her frustrations. ~~ ~~ I would listen to this song over and over again and get goosebumps every time. What can I say? Bittersweet, ultra dramatic, noir/Chinatown-like vibes with a good dose of psychedelia thrown in. It’s just such a lovely companion to have. Being trapped in a haunted house for 12 hours with intensely vengeful spirits, intent on constantly torturing you to the edge of consciousness until morning. Ey you want a bagel? ~~ ~~ It’s a bountiful celebration and revolution all rolled into one. Hanging out the passenger-side window of your friend’s Ford Focus, doing donuts in an uninhabited cul-de-sac while listening to Bruce Springsteen. Like my little description above, you get roped into this descent from a glitzy, polished album into a dark experimental corner of broken electronics and ominous vocals & rapping. Bass drums boom far in the distance (“The Depths”). The title track continues to be one of my all-time favorites. Reality around you in a cynical world + Whitney Houston keep pulling me back to this record is special. A family also seen my face when I found out that fever Ray was a. Consume your decomposing body, making weirdness as accessible as it stands the best part is that songs. 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